Tinker Tailor
Soldier Spy
2011
I found the movie
disappointing in that it
starts with a routine
cold war spy-movie
premise (the mole is one
of five senior guys in
British intelligence)
and does very little
with it. It does nothing
to subvert our
expectations. Yes, one
of them is the mole, so
there are no surprises,
and:
1. You don't
really care which one
is guilty because you
don't get to know them
at all. I didn't even
really know which was
which except that they
are played by five
actors with distinctly
different physical
presences. I suppose
each of them had a
different field of
expertise and/or
different departments
working for them, but
I don't know what
those might have been.
When one of them was
identified as the
culprit, it was
anticlimactic. My
reaction was "Yah, I
knew that one of them
had to be guilty, and
I really don't know
one from another, so
who cares which one?
Flip a coin and be
done with it."
2. You don't get to
match wits with the
investigators because
the script is not
designed that way.
You're just supposed
to watch them solve
the mystery, not to
try to solve it along
with them.
3. Some of the
solution is provided
by a deus ex machina.
A spy who was thought
to have defected to
the Soviets was
actually in deep
cover. When he
returned, he basically
delivered a monologue
explaining the plot of
the movie to the
investigators and to
us. Frankly, I'm glad
he did, because I
wasn't involved enough
in the humdrum events
on screen to pay
scrupulous attention
to the intricacies of
the anfractuous plot.
Anyway, Tinker is not a
"spy "thriller," but a
cerebral film which
makes the work of spying
seem to include no
thrills at all. The work
seems unsexy,
unphysical, and
mechanical. You won't
mistake these guys for
Jason Bourne. The pace
is slow, and the film is
amost utterly bereft of
both passion and action.
If it isn't a visceral
thriller, it is a
complex mystery? No.
There are a few matters
which are not as they
first seem, but I
wouldn't call the film a
mind-bender.
Oh, yeah, there are
positives. The film
looks great. The
location shoots,
especially in Budapest
and on the London
rooftops, are exotic and
evocative. The cast is
also first-rate, but is
not used to full
potential. The great
Gary Oldman plays a
world-weary and
completely emotionless
character who never
breaks from a measured
monotone, and uses a
single facial expression
for every scene, so the
film wastes Oldman's
gifts for complex
characterizations. Some
people have discussed
Oldman's Oscar
potential, but there
surely must be five
better performances this
year, because Oldman
could have done this
role in his sleep.
And to be honest, he
pretty much did.
Oh, as long as we're
being honest, let's just
cut to the chase, shall
we?
This film is just plain
dull.
NUDITY:
There is a
tiny,
brief bit of anonymous
female nudity in
this film, which opened
yesterday in most
cities. (On the other
hand, there was a brief
male frontal and rear
from a credited actor,
so this film clearly
wasn't made for us
guys!)
The Girl With the
Dragon Tattoo
2011 - COMPLETE
spoilers
I'm not
kidding about the
"spoilers" warning.
Do not read this if
you don't want to
ruin the experience
of watching a
mystery film,
because I'm going to
discuss plot
minutiae and the
various solutions to
the mystery, as
presented by three
different sources.
There is a vital lesson
to be learned in the
succession of projects
that have taken this
story from a book to a
Swedish movie to an
American remake, and
that lesson is this: if
you must re-write plot
details in a mystery or
a thriller, you need to
bring in several other
people to read the
script to make sure that
you haven't messed up
other things dependent
on the original
unchanged details. It is
normal in this kind of
plot for all the details
to interlock, and if you
change one thing you'll
probably have to change
several others which
relate to that one.
Here's the problem: the
core of the exposition
in this story hinges on
a woman presumed
murdered who is not
actually dead. Her
beloved uncle hires an
investigative reporter
to figure out which of
his relatives killed
her. In the original
story, the "dead" girl
had been sending her
uncle a distinctive kind
of flower arrangement
every year since her
disappearance. Since
those arrangements were
identicsal to the ones
she had given him while
she was "alive," she
presumed that the uncle
would realize that she
was still alive. The
uncle did not do so. He
assumed that her killer
was taunting him.
The Swedish movie
handled the resolution
of this plot detail
correctly. As soon as
the woman found out
about the despair she
had caused her beloved
uncle all those years,
she rushed to meet him
in person, traveling
immediately all the way
from a remote part of
Australia to an equally
remote part of northern
Sweden, because she just
had to atone for the
pain she had
inadvertantly caused
him.
The American
scriptwriters changed
the identity of the
missing girl. The change
that they made was very
clever, and I would call
it a significant
improvement - except for
one important factor:
changes do not exist in
a vacuum. When they
changed the identity of
the missing girl, they
forgot that she had been
trying to tell her uncle
that she was alive. The
investigator, not
knowing who she was at
the time, told her that
her uncle thought she
was dead. So did she
rush to his side? Not at
all. She didn't even
pick up the damned phone
to call the old codger.
But we know from the
annual flower
arrangement that she
really wanted her uncle
to know she was alive.
So why did she do
nothing after finding
out that her gift had
been misinterpreted? The
script re-write turned
her into a cruel witch,
but she couldn't have
been that cruel because
she sent the flowers in
the first place. So the
script simply ended up
with a contradiction.
She loved the uncle so
much that she wanted him
to know she was alive,
but when she found out
that he had
misinterpreted the
annual gifts and that
his old age was filled
with despair because of
her "death," she
suddenly didn't care
enough about him to make
a simple phone call, let
alone fly immediately to
his side.
I must have seen
something like this
happen in about a
hundred different
adapted scripts, just
because the
scriptwriters felt like
tinkering without
considering all the
ramifications of their
changes.
There were a few other
plot points that were
much clearer in the
Swedish version.
1. It was clear in the
original that the
reporter was convicted
of libel, was sentenced
to jail time, and was
convicted justly. This
was an important and
interesting sub-plot,
because the reporter was
duped into printing an
inaccurate story. The
reporter was on the
trail of an expose. His
target, a corrupt
industrialist, tricked
him off the trail by
"offering" him a much
bigger story through a
trusted old friend. The
so-called friend turned
out to be on the payroll
of the industrialist all
along, and the bigger
story turned out to be
totally false. Although
the original, smaller
story had been accurate,
the reporter's
conviction totally
undermined his
credibility and made it
impossible for him to go
back to the first story,
or even to get any more
work as a reporter. In
fact, he had to go to
the Swedish slammer, and
part of the film's
ongoing investigation
was conducted by Lisbeth
the hacker (the title
character) while the
reporter was in jail.
2. Even though the
allegedly murdered girl
was still alive, there
actually was a murderer
in the family (actually
two!) and they had
killed most of the
remaining female
population of Sweden.
(Yeah, I know. How
convenient! That the
investigation turned up
a murderer even though
the "victim" was still
alive.) Late in the
story, the reporter knew
who the killer was, and
the killer was aware
that the reporter had
figured it out. After
all that had been
resolved, the killer
even caught the reporter
in his yard after he had
snuck out of his house.
So what happened than?
The killer called the
reporter back in, and
the reporter came, not
at gunpoint, but of his
own volition. That was
an absolute WTF
situation. The reporter
would have known at that
time that he was
returning to his own
death, but he just
cheerfully returned. I
watched the film in a
packed theater, and the
entire audience groaned
when Daniel Craig's
character, caught with
his hand in the cookie
jar, meekly marched back
into the killer's lair,
to certain doom, instead
of just running the hell
away. Needless to say,
nothing similar to that
happened in the book or
the original movie.
3. In the original film,
the killer was using his
influence to squelch the
investigation, as you
might expect. In the
remake, the killer was
overriding other people
who wanted to suppress
the investigation, and
was offering all
possible co-operation
when he could have ended
the entire investigation
and blamed that decision
entirely on the
company's attorney, who
was an honest and
respected man. Again ...
WTF?
What was purpose of
tinkering with these
plot points, which were
all perfectly logical in
the earlier versions of
the tale? I just don't
know.
I give David Fincher
lots of points for the
way he managed the look,
the dramatic tension,
and the atmosphere in
this film. All of the
technical credits, from
the acting to the
cinematography are
totally first-rate. It's
a long film, but I sat
through it without ever
being aware of the time.
The editing is
excellent, the narrative
moves quickly, and
Fincher just did a great
job in general. It's a
good film. The Swedish
original is nowhere near
as professional and
slick.
But slick isn't
everything.
What the hell, man, why
make all of those
unnecessary changes? The
story was perfectly good
to begin with. Why
didn't you just use what
you had?
NUDITY:
Rooney
Mara had five nude
scenes, eventually
exposing just about
everything there is to
expose. The best we have
now is a crappy cam, but
even that shows you some
impressive nudity. You
should see it in a
theater.
Annual "Best Nude
Scenes" Poll
Have at it.
Here's
the poll. The
Rapidshare links are
designed, of course, to
allow non-members to
participate in the poll.
You can download them if
you care to, but you
don't need Rapidshare
because you already have
access to all those film
clips in the back
issues. That's where I
got them from in the
first place!