 |
Not Quite Hollywood: The Wild, Untold Story
of Ozploitation
2008
What a great documentary this is!
I don't know about the rest of you, but I have generally had my fill of
documentaries. Most of them are just made by some opinionated blowhard doing
everything possible to make it seem that complex, gray issues are either black
or white. Just about every documentary is guilty of the selective presentation
of facts. If they wanted to make Albert Schweitzer seem like a bad dude,
they'd focus the entire film on the one time when he borrowed his neighbor's
tools without permission, and ignore his lifetime of altruism. Some
documentarians do worse things, often basing their "conclusions" on staged
incidents, deliberate misinterpretations, or even outright lies. For the most
part, the guys who make documentaries are the same kinds of guys who write
letters to the editor, except that they have enough money to buy a camera. In
many cases, the documentaries are actually harmful in that they allow a
completely false idea to take hold and become common wisdom.
Given that I'm going to have to sit for 90 minutes and listen to the
opinion of one or more windbags, the only way you can get me to watch a
documentary is
if it meets these criteria:
1) It is about a subject I'm interested in.
2) The subject matter is something better presented on screen than on
paper.
3) The subject is presented by genuine experts in their field, who offer
their insights with intelligence and humor, and present various contrasting
points of view.
Check, check, and check.
NQH is the story of Aussie exploitation cinema from 1970-85, and it reflects
the similarities and differences between the way B-movies were made in
Australia and in the USA. It mixes familiar films with lost cultural
artifacts. Because it consists of plenty of actual footage from the films, it
is a topic ideally suited to be covered in another film rather than in an essay
or on a web page. Intercut with the clips are the reminiscences and insights of
the creators and actors looking back at that era, all of whom seem to be filled with charm,
self-deprecating wit and funny insider stories. In addition, there are droll
comments from film critics, and bubbling enthusiasm from the ultimate genius
of the exploitation film world, Mr. Quentin Tarantino himself, who can recite
these films frame-by-frame as easily as Kenneth Branagh can recite
Shakespearian monologues.
Oh, yeah, and it's filled with nudity. In fact, the first third of the film
is basically non-stop nudity, since it's about sex films. The middle third is
about horror films, and the final act is dedicated to specialty action
pictures featuring Kung Fu, cars, and bikes.
Of course if you were to see the actual films being discussed, you would
not share Tarantino's passion for them because almost every one of those
90-minute films probably contains 89 minutes worth of unwatchable dreck, but
Tarantino is absolutely right in that they all seem to include a few
spectacular and/or memorable moments. Of course, the documentary only shows
those moments, so the difference between watching those mediocre movies and
watching this documentary is precisely the same as the difference between
watching all 13 major league baseball games in a day and watching Sports
Center. In fact Sports Center is a perfect analogy, because Not Quite
Hollywood is the highlight reel for Aussie B-movies of that era, spiced with funny
commentary.
And, unlike Sports Center, it has the additional advantage of tits.
Given that it's informative, sexy and funny, I'd have to say I'd recommend
this one to anyone who would be reading this page in the first place.
Here are the clips, commentary and all:
|
|
|
OTHER CRAP:
Catch the deluxe
version of Other Crap in real time, with all the bells and whistles,
here.
|
|
|
|
|
|
|
|
|
|
|
|
|

Notes and collages
|
The King of Marvin Gardens
1972
Ellen Burstyn
|
|
|
|
|
|
 |
Pride and Glory
2008
If you're looking for something new and
different from this 2008 "cops gone bad" drama, you won't find it, but
despite the general story having been done numerous times before, good
acting and a solid and exciting storyline make it very worthwhile.
A detective, one of a family of cops, is
investigating an ambush of four police officers in what looks like a gang
hit. But as he digs deeper, things begin to point towards involvement by
his brother-in-law. Even worse, this appears to be the tip of the iceberg,
and it is happening under the command of his own brother, who works under
the command of their father.
Nothing unique here, but it's so well done and
exciting that you won't care. Just a good enjoyable cop/crime flick.
Scoop's note:
wasn't it a little early to remake We Own the Night?
|
Raquel Jordan |
|
|
|

|
Pics
Here is an early look at Julia
Ormond's nude scene in The Escorial Conspiracy. The picture
quality of these captures is not good, but it's good enough to
show us that she looks
tremendous for 43!
Alicia Silverstone, doing whatever she does now. Probably
working as a tour guide at Jungle Larry's African Safari,
pretending to be scared by the audioanimatronic crocs.

Film Clips
Katie Morgan in the special features from the Zack and Miri
DVD. Samples below.
Greta Scacchi in
The Red Violin - a more full-figured Ms Scacchi than you
normally see. I saw her recently and she seems to have her
looks back. She went through a period when she aged
prematurely, and then she followed that up with weight gain.
It looked like the onset of diabetes. I don't know if that was
the real explanation, but whatever caused it seems to be in
check, and she is looking slim and healthy and about right for
her age, whcih is to say younger than she looked five years
ago.
Softcore porn babe and would-be English princess,
Koo Stark in Emily
Full frontal nudity from
Lisa Niemi (Mrs Patrick
Swayze) in Slam Dance
Marianna Palka in
Good Dick. (A shower scene, but shot to reveal nothing.)
Natalie
Portman in Closer - in 1920x1080 Blu-Ray quality. Big
download, but a must-have for her fans.
Naturi Naughton
in Notorious (2009, now in theaters). She's playing the
part of Li'l Kim. It's cam quality, but is a spectacularly hot
sex scene for a mainstream film. Like the Julia Ormond scene
above, we'll be seeing this many times again on this page!
Both are sure-fire top finishers for next year's top nude
scenes. January was a tremendous month, and that is not at all
typical. In addition to those two films, we saw Claire Forlani
in False Witness, Gwyneth Paltrow in Two Lovers, Shawna
Waldron and Miriam McDonald in Poison Ivy 4, Saffron Burrows
in The Guitar, Kelly Hu in Farmhouse, Ana-Claudia Talancon in
Arrancame, Alice Braga in Only God Knows, Eva Mendes's butt in
The Spirit, Olivia May in The 18-Year-Old Virgin, and even a
little cock-tease from Sandra Bullock in the trailer for The
Proposal. Last January we didn't have jack straws. Maybe
screen nudity is ready to recover from a severe off-year.
(There is a theory that economic hard times pump up the
sensational elements of entertainment. I haven't tried to
evaluate the merit of that argument, but it doesn't seem
implausible.) |
Michelle
Bernard in Fiesta Grand (sample right) |
 |
|
|
 |
|
|
 |
|