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TV Round-Up
We have some of the IDs for
Game
of Thrones
(s5e3), plus an upgrade of
the brief Natalie
Dormer nipple.
Stay current
Check Other Crap for updates in real
time, or close to it.
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The Pleasures of a
Woman
(1972)
Today begins a long
series of caps and
clips of the
grind-house feature,
The Pleasures of a
Woman. The
screenplay for this
movie was written on
a cocktail napkin;
not the outline, the
whole damn
screenplay. Three
gals and a guy
people the universe
of Pleasures and
although all three
gals are beautifully
built and fully
nekkid, the movie is
so very boring.
There are many sins
I will forgive so
long as scenes are
filmed to bring out
the beauty in its
actresses but this
one seems to have
filmed with the
opposite intention.
So I grabbed some
frames and stuck
them together, with
none of the feeble
attempts at artistry
I usually
make. I guess
the clips and the
collages speak for
themselves.
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Kika
(1993)
Johnny's
comments:
Kika
is a 1993 comedy told by
Kika (Verónica Forqué,
Almodóvar's most
underrated actress), a
bubbly make-up artist who
one day is called into a
TV show to do the make-up
for American writer
Nicholas (Peter Coyote).
He likes her job so much
that later, Kika is asked
by Nicholas to do the
make-up on his dead son
Ramón (Àlex Casanovas),
who is actually not dead.
Kika dazzles both father
and son and she moves in
with the son who lives
below his father in an
apartment block.
Meanwhile, tabloid
journalist/presenter
Andrea Caracortada aka
Scarface (Victoria Abril)
attempts to get Nicholas
to write some scripts for
her show but she really
wants to know more about
the death of his wife 3
years previous by apparent
suicide. All is not well
in the household and
someone is spying on the
house and it becomes clear
that all is not well in
the household and Andrea
Scarface will do anything
to get that scoop. That's
when the bodies start
piling up.
Just when you think he
might be becoming
sensible, Almodóvar makes
the absolutely ludicrous
Kika and throws that out
the window. Honestly, Kika
feels like a misstep,
sure, there's plenty of
laughs and Verónica Forqué
is an absolute whirlwind
of bubbly fun as Kika, but
saying this movie is
over-the-top is being
generous. There's the
comical rape scene which
goes on and on and on and
is incredibly dicey, but
I'm not going to say that
I didn't get a few laughs
out of the whole scene,
hell it's so ridiculously
funny, but... There's
Ramón's death spells, one
ended by Kika using a lamp
to revive him. Pretty much
everything Andrea Scarface
does is ridiculous. Then
there's the obvious
dubbing of Peter Coyote
with a line that he
doesn't speak Spanish
well, oh except for the
entire movie... Get the
feeling this movie caused
the change in direction
that Almodóvar takes with
pretty much every movie up
until I'm So Excited being
straight dramas, which
probably wasn't a bad
thing because there's some
great, more mature stories
after Kika.
Bibi
Andersen 1080hd
film clips (Part
1,
Part
2)
Just in passing,
Bibi is a
transsexual, born a
man. I don't know
any of the details.
(samples below)

Anabel
Alonso 1080hd
film
clip (sample below)

Veronica Forque 1080hd
film
clip (collages
below)

Tacones
Lejanos
(1991)
Johnny's
comments:
Tacones
Lejanos (High Heels)
is a 1991 drama
where Rebeca
(Victoria Abril), a
well-known
newsreader, welcomes
her famous singer
mother Becky del
Páramo (Marisa
Paredes) back into
town for her latest
series of concerts.
But things are very
different. Rebeca
has married Manuel
(Féodor Atkine) who
used to be the
partner of Becky,
much to her chagrin.
The three go to a
nightclub where they
see Rebeca's friend,
drag queen Lethal
(Miguel Bosé)
perform and this
makes everyone
uncomfortable, so
much so that not
long after, Manuel
is found murdered.
After denying any
involvement, Rebeca
confesses on the
live broadcast and
is arrested by local
judge Juez Domínguez
(also Miguel Bosé)
and is sent to
remand although
Dominguez is not
completely convinced
of her guilt and
manages to get her
out of prison after
telling her mother
that she didn't kill
him. So, who really
did kill Manuel and
what is the drag
queen/judge's angle.
Almodóvar mostly
made cheeky comedies
up until High Heels
which is practically
a straight drama
with a cheeky moment
or two. It's a great
story between a
mother and daughter
who are very distant
from one another and
are forced into one
last try at finding
a connection. The
murder mystery is
almost irrelevant
and the double and
triple life living
judge almost a
misstep if not for
it being
surprisingly
underplayed. It
works extremely well
because the two
leads are given a
great story to get a
hold of and they
both grab it with
both hands.
Victoria
Abril
film clip (collages
below)

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