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Filipino Cinema
Used to be you could grab six dvds with the
title of Sex In Philippine Cinema, 1 through 6, but good
luck with that now. Amazon has only one of them
available, from a third-party seller with a price that
is laughably high. Even I don't want to see nekkid
Philippine actresses that much. I am particularly
resistant to pay more than $1 for another in the series
because #1 is a bitter, awful, horrible disappointment.
Fact 1: I think Filipino actresses are
sublime, some of the most physically attractive women
in the world. This disc has more than a dozen of
them in scenes from a similar number of movies and so
I started this project with energy and enthusiasm.
Fact 2: Pick any cinematic tactic you can think of to
take a beautiful unclothed woman and hide what the
good lord gave her and that is what you will find in
this one disc of some 100 minutes.
- Scenes so dark they could grow mushrooms?
Check, check and check again, in scene after scene.
- Scenes shot with the camera so close to the action
it would take scientific instruments to measure the
distance? Uh huh. After a while I began
to feel claustrophobic.
- The camera hovering on anything but the good parts
or focused on a guy's face as his infinitely more
interesting bed partner is doing all the work?
I am sad to say, yes indeed.
- Things in the way, betwixt camera and actress, so
that what you can see is reflected in a mirror, or
hidden behind a curtain, or shot between exposed
plumbing (unusually common, that one)? Oh hell
yes.
I was thinking perhaps the problem was endemic to the
Philippines, that as a Catholic nation its actresses
refused to do anything particularly overt while out of
clothes, but that is not true. Three examples:
1. Maureen Larrazabal is demurely naked in three scenes
on the DVD
2. You would conclude the bounteous Joyce Jimenez spends
all her time in dark places
3. And the wonderful Aya Medel reveals much more in a
few seconds of Troublesome Night 4
The only fair conclusion is that he who assembled these
clips deliberately chose ones that give the viewer only
a frame here and a frame there of good parts. This is
especially frustrating the the case of Joyce Jimenez in
Warat, because the still below indicates that he could
have made much better choices.
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