 |
Young People Fucking
2008
I didn't know anything about this film in advance and when I saw the title
I was filled with dread. I thought it was going to be another one of those
pretentious and oh-so-serious serious films where the director haughtily flaunts his disdain
for conventional mores, ala 9 Songs or Lie With Me. After all, the title just
cries out, "Look at me. I'm just so self-consciously audacious that you can
tell how superior I feel to you church-goin' rubes."
Thank God I was wrong because I hate that kind of movie. The people who
make those films tend to take all the fun out of sex and can't seem to
distinguish between erotica and explicitness.
This Canadian film is a pleasant, down-to-earth repertory comedy. The title
serves several purposes. First, it accurately describes what the film is
about. Second, it is part of the film's humor. Third, it is designed to
attract attention and publicity to a film which might otherwise get lost in
the shuffle.
The film basically demonstrates that the process of love-making follows a
certain path and moves in defined steps, irrespective of how well the partners
know one another. To make the point, it takes five couples (well, one is a
threesome, to be technical) at totally different stages in their relationships
and relates how one act of intercourse develops for each couple. The film is
divided into six chapters which represent the stages of an evening's
seduction, and the narrative cuts back and forth among the stories. One of the
couples is on a first date; one is comfortably married; one consists of exes;
one is a pair of long-time friends trying to have their one and only lifetime
sportfuck; the last is the threesome, in which a man persuades his girlfriend
and male roommate to have sex with one another while he watches.
Young People Fucking works. I don't normally like ensemble relationship
comedies any better than the self-consciously arty pseudo-erotica I was
dreading, simply because there are so many pitfalls they can fall into. This
film avoids all the problems by negotiating the balance between zany and warm;
as well as that between contrived and realistic. The characters are
recognizable, complex and as credible as can be expected from a comedy which
has to deliver a certain quota of laughs. The script takes enough time
to develop each of the five mini-plays so that the emotional resonance of the
scenes can shine through the comic set-ups. You will not like every single
character, but even the coldest ones (the first date couple) have
vulnerabilities and insecurities which make them sympathetic to some degree,
and the eleven actors do quite a good job at making the audience members feel
as if they were eavesdropping on real situations. Best of all, the film
approaches the subject matter with honesty to match its good humor, and you
may even be moved in a couple of spots.
Plus there's plenty of topless nudity from some beautiful women with their
own factory-original breasts. (And a couple of firm male butts for those
inclined to enjoy that component of the action.)
This film is a very pleasant and sexy way to pass 80-some minutes.
|
|
|
|
OTHER CRAP:
Catch the deluxe
version of Other Crap in real time, with all the bells and whistles,
here.
|
|
|
|
|
|
|
|
 |
|
|
Head of the Family
(1996)
Jacqueline Lovell plays a sexpot who is married to an asshole, so she is
having it off with the owner of a mini-mart any chance she gets. Fortunately,
her biker husband is not too bright. She runs into the Stackpool family, which
consists of four Siamese twins who have been separated. One of the four
(Alexandria Quinn) is a sexpot, one is all eyes and ears, another is very
strong, and the head of the family is literally that, a giant head. The family
is working together to abduct and experiment on passers-by to find a good body
solution for the head. Lovell catches the Stackpool family in some dirty
deeds, and blackmails them into bumping off her ornery husband, but finds
there will be a huge price to pay.
I consider it a good sign when both Andrew Borntreger and Joe Bob Briggs have
reviewed a film, and I was not disappointed in this one. Yes, this is pure
cheese, but it is my kind of cheese.
Jacqueline Lovell shows everything
Alexandria Quinn shows some impressive breasts
|
|
|
 |
|
|
|
|
|
|
|
|
Notes and collages
|
|
|
|
|
 |
Prison-a-go-go
2003
This 2003 comedy spoof of women-in-prison flicks has something for
everyone: ugly chicks (mostly) in the shower scenes, Kung Foo food fights,
mutant zombies, evil scientists, mud wrestling, the whole works. It's just
horrible, but goofy enough to be funny in parts. Oh, and they have a
countdown shower clock to alert you to the next shower scene (there are 4,
although I'm pretty sure they shot them all together).
The sad part is that none of the featured actresses, including Laurie
Walton, actually got naked, although she did start out the movie sitting
on the can. In the shower scenes, though, she avoided showing anything but
her head and upper chest.
The plot (yeah, they actually bothered for some reason) is that
Callista is abducted by a group collecting specimens for a mad scientist.
They are taken to a Philippine jail where they are tortured and
experimented on. Sister Janie (Laurie Walton) learns of Callista's fate,
goes to the Philippines, and gets herself arrested (by stoving in a bum's
head with a crowbar), so she can spring sis.
It's just terrible, and even the nudity is so-so, but fans of
over-the-top campy slapstick comedy may like it.
 |
| Laurie Walton |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
 |
|
