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Tuesday
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Today |
Did you
read about the stories that the KGB
planted with conspiracy theorists to link
the CIA to the Kennedy assassination?
I've always said the CIA could not have
been involved in the JFK assassination
since Kennedy actually ended up dead. As
I recall, the CIA plotted and schemed for
years to assassinate Castro, a guy who at
that time walked through the streets of
Havana without a bodyguard. You can tell
they were in on that one. Castro is still
alive. I've always
said that you should solve all murders
with the same investigatory procedures,
and when you look at the Kennedy murder
objectively, you can only reach one
conclusion. Who had the most to gain from
Kennedy's assassination? Whose turf did
it take place on? Who was wearing six
guns, and blazing away at JFK from the
other car?
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I don't
know what this means, but a survey of PPV
customers found that among customers of
paid wrestling matches, Republicans
outnumber Democrats about 4 to 1. In the
general population, those who admit to
party affiliation are about evenly
balanced between the two.
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And you
thought Dan Quayle was dumb? Fortean
Times magazine reports that Radovan
Karadzic scraped up six million dollars
in 1996 to buy a "red mercury"
neutron bomb from Russia to wipe out his
country's Muslim population. Oops. Seems
like these Russians didn't represent
Russia, and there is no such thing as a
"red mercury bomb". When he
opened up the container, he found that
he'd spent six million dollars to buy a
crate full of red jelly. You'd think he
would have been alerted by the Smucker's
logo on the bomb.
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Thunderbolt
and Lightfoot |
I'm not sure
if this is the movie that the guy wanted,
but here is the scene with the hog-tied
lovers. I've seen so many movies in my
life that I couldn't recall whether I had
seen this one or not, but I enjoyed it.
It's one of those pictures about
"mismatched outlaw buddies",
filled with the 70's prerequisites: a
team caper, unnecessary nudity,
generational conflicts, sad unresolved
endings ... Strange to look back and see
the remarkable lack of violence as viewed
with today's eyes. All the guards and
bureaucrats who stand in the way of the
baddies simply end up with a bad headache
and rope burns. In today's context, all
these bystanders would be slaughtered
like cattle. The modern way is more
realistic, of course. Desperate men on a
seven minute mission, as they were here,
don't have the time to knock people out
and tie them up. But cultural standards
dictate these sorts of things, don't
they? Plus you couldn't have Eastwood and
Burgess slaughtering innocents. Here's
the scene with the two kids.
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This movie was
the directorial debut of Michael Cimino.
(Eastwood hired him. This is a Malpaso
Films production. Cimino had previously
written the script for Eastwood's
"Magnum Force"). Cimino is a
legend in Hollywood for many reasons.
Immediately after Thunderbolt, he made an
successful film which was also an
acknowledged masterpiece, "The Deer
Hunter". This took him to superstar
status, and he was given the freedom and
money to dictate his next project. That
project turned out to be a notorious
fiasco entitled "Heaven's
Gate". Cimino never recovered from
the critical and media attacks on the
movie, and virtually quit the industry.
The movie came in late, over budget, and
generated a gross of only $1.5 million
dollars to offset $44 million in costs,
largely because it was pulled from
distribution after about three days. The
public hated it just as much as the
critics, and the industry investment
people hated it most of all. It is
credited with destroying United Artists,
and forever ending the days when
directors were given a free hand to make
the pictures they wanted to make. To this
day, people are divided on the merits of
the movie. Many love the arty
"feel" of the movie, the sound
track, and the impressive cinematography,
while others can't see past the irregular
editing, the meandering action, and an
especially lifeless performance from Kris
Kristofferson. It is a movie with great
strengths and great weaknesses, and it
elicits the same kind of debate as
"Breaking the Waves". 20 years
later, Cimino is still considered a risk,
and is still trying to rehabilitate
himself. I have an old business
acquaintance who is a semi-famous movie
producer. I met him when I was doing the
national promotions for 7-Eleven. If you
know anything about movies you'd
recognize his name. His latest project is
to be directed by Cimino, and he asked me
to help him find some investors through
my old business contacts. That they would
be seeking investors from such
non-traditional sources shows you how
much of an outsider Cimino became and
pretty much still is. All of that aside,
this movie, "Thunderbolt and
Lightfoot" is a watchable film. This
is an actress named June Fairchild who
came in for a quickie with Eastwood. Jeff
Burgess brought home Daisy Duke for
himself, but she didn't show the goods.
(Darn!)
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Here's a
random woman who exposed herself to
Burgess while he was doing some yard
work. Behind a glass plate, reflections,
woeful quality.
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This isn't a
woman, but Jeff Bridges in drag. Bridges
was nominated for a Best Supporting Actor
award for this. He's really had an
impressive and varied career.
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Tuna |
I think this
concludes Tuna's tribute to the classic
porn of yesteryear. Georgina Spelvin in
"Seven Seductions"
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Ginger Lynn
in "A Coming of Angels - the
sequel"
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Ginger Lynn
in "The Grafenberg Spot"
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Seka in
"Heavenly Desire"
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Serena in
"Heavenly Desire"
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Diamondedge |
As he
promised, The Edge delivered Secrets of a
Chambermaid. Start it off with Gladys
Jimenez
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Gladys
Jimenez
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Gladys
Jimenez. Please note that there are no
frames with face and privates shown
together.
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Anneliza
Scott (no nudity)
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Anneliza
Scott
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Anneliza
Scott (no face)
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Anneliza
Scott
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Anneliza
Scott
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Nekkid
Supermodels |
What can you
say? Six supermodels stark naked, facing
the camera, in color and good light.
Carolyn Murphy
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Georgina
Grenville
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Holly Hanson
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Emily
Sandberg.
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Frankie
Rayder. Surprise, this one has breasts!
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Annie Morton.
Annie is a pretty girl, but I can't
imagine why she decided to pose with a
slouchy posture and a facial expression
that seems to indicate the use of
recreational substances.
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Asian
Lesson
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This
from my mailbox. Weird, but sort of
interesting. "Scoopy-San. I thought
you might be interested in some stories
about the Japanese equivalent of your
American b-movie subculture. These films
have been consistently sheltered from
Western eyes by our cultural overlords,
but they are prolific and often quite
imaginative. More to your interest, they
are uniformly filled with sex and
violence, flavored with our unique
cultural spice. Among the very worst (best?)
of the grade-b directors is Koji
Wakamatsu, a former second grade drop-out
and convicted violent criminal who turned
to moviemaking when he was released from
prison. There is no equivalent to him in
your culture. He combines the poetic and
stylized violence of Sam Peckinpah with
the sexual and breast obsessions of Russ
Meyer, but he does so within a unique
Japanese mindset and with a uniquely
Japanese visual sense. In addition, the
violence is much more graphic and real
than in Peckinpah movies. Imagine
Herschell Gordon Lewis impersonating
Kurosawa. Twenty years later, Koji
directed some respectable movies. It is
not uncommon for distinguished Japanese
directors to learn their craft doing sex
and violence films. It is those early
films from the 1960's that we discuss
today.
To illustrate, I'll describe
his masterpiece "Shojo geba
geba". This has no translation. It
is a slogan used by student
revolutionaries - "geba" are
the sticks they use in their encounters
with police, shojo means
"virgin" literally. The movie
starts out with our hero Hochi tied naked
to his girlfriend in a hostile desert
landscape. It seems he made a rather poor
career move for an aspiring Yakuza (our
equivalent of the
"goodfellows") by sleeping with
the girlfriend of the Don, and now they
both must die. The thugs force him to
watch her being crucified before he
escapes. By the time the movie ends, they
have tricked him into shooting the
crucified girl, he has killed all of them
while they posed for pictures in front of
the cross, he has raped all their
girlfriends brutally, and killed all of
them as well. The movie ends as he
carries his girl's corpse into the
horizon in a lightning storm, through a
landscape punctuated with fires like some
post-apocalyptic nightmare.
Good stuff, what? And that
was his masterpiece. He also directed
such treasures as "Go, go, second
time virgin", which takes place
entirely on the roof of a single
building, and he produced the works of
other aspiring directors, including that
unforgettable romance, the Japanese
version of "Sleepless in
Seattle" called "The Inflatable
Sex Doll of the Wastelands".
This sado-cinema has quite a
large cult following here in Japan.
During a time when we had extensive
censorship of body parts and sexual acts,
the authorities always permitted extreme
acts of violent sadism. Tender or
passionate sex scenes might not escape
the scissors, but violent sex scenes sail
through uncut. I read about Europeans and
Americans misunderstanding each other's
censorship of violence and sex,
respectively. Imagine our sado-film
subculture as an exaggerated version of
America, even more violent and even more
puritanical about using sex for pleasure.
Perhaps some of your Japanese readers
could start to do video captures of some
of these bizarre films.
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Here's a
couple of frames from Shojo geba geba. I
don't know anything about Asian Cult
cinema. If you guys have interesting
material, send it in. Why not?
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Helcrom |
One or two of
these have appeared here before, but in
general this is a new set. Helcrom can
now be found
http://www.rodeodog.com/celebpics/helcrom/.
The link is always there on the Artists'
page. By the way, if you haven't looked
at Helcrom's material lately, he's
upgraded his system and it shows.
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P.J. Soles in
"Halloween"
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Kelly Monaco
in "Idle Hands"
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more of L'il'
Kim at the awards show.
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Roxanne Hart
in "Highlander"
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Kimberly
McArthur in "Easy Money"
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Slarti |
They must
have some kick-ass digital TV signals in
Germany, because Slarti and his Undernet
colleagues at #germancelebs get these
cable movies and TV shows looking better
than many DVD caps. Check out these
colorful captures of Marie Gillain in
"La affinita eletive"
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This is Diana
Frank in "Fit for Fun". If that
means anything to ya, I bet you'll like
'em.
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Jennifer
Connelly in "Heart of Justice"
(non-nude, but Jennifer shows off a very
tight bottom to go with her other
better-known assets). Isn't it about time
for her to get back to full-time movie
acting? With our luck, she'll use her
linguistic abilities and her
Yale/Stanford education to become a
director of arty Japanese or Italian cult
films, and we'll never see those hooters
again. "Waking the Dead" is
slated for an R rating, but I don't know
if that's a good sign or not. Her body
looks great in these caps, but the
director did not do a very good job of
capturing the beauty of her face.
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BFD |
BFD does a
great job on these old films, some of
which are not on video. I guess he makes
them from his own collection. Here's Bibi
Andersson in "The Touch". There
are two actresses named Bibi Andersson.
This is the innocent looking Swedish
actress who was in many Bergman films
including "The Seventh Seal".
T'other (spelled Bibi Andersen) is a hot
tootsie who works in the Spanish
language.
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Ursula
Andress (not quite nude) in "Perfect
Friday"
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Ursula
Andress in "Red Sun"
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Anne Bancroft
in "Gorilla at Large". Not
nude, but interesting material for her
fans.
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Jill Ireland
in "Someone Behind the Door"
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...
and ...
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Kournikova in
some very tight pants
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Gwyneth makes
a lovely, if unthreatening, dominatrix.
I'll bet Gwyneth would bring you cookies
and read you a story instead of whipping
you. Nice presentation by Zononon Zor. If
anybody out there ever finds it, I'd love
to see Blythe Danner's (reported) nude
scene in Lovin' Molly. I haven't tracked
the film down yet, and I don't remember a
nude scene, but that don't mean jujubes.
(Blythe is Gwyneth's mom, if you missed
my segue.)
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one more
non-nude of Lesley Ann Warren in
"Going all the Way" (Graphic
Response)
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Sophie
Marceau in "Firelight" (Graphic
Response)
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