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Immortal
Beloved You
think that rock stars trashing their hotel rooms
is a product of the 20th century? These guys are
a suave as James Bond compared to the music
demigods of other eras. Mozart had the manners of
a barnyard animal, and was thought to be a ditz
by those who attempted to converse with him on
non-musical subjects. Beethoven was worse than an
ill-mannered boor. He was a monster who made
Ebeneezer Scrooge look like Mother Theresa. He
alienated everyone who ever respected or admired
him, including his relatives, closest friends,
and patrons. This movie attempts to show why he
was such a monster, and why he treated people the
way he did, by positing a solution to the
mysterious note he left behind to his
"immortal beloved". If he had been
wronged by man or fate in some horrible manner,
then perhaps we can couple that with his tragic
deafness and understand what made him the way he
was. It's a good story, and a good movie, filled
with his incomparable music.
Personally, I feel we
should all face reality about these
"superstars". He was the way he was for
the same reasons that rock stars tear up hotel
rooms. Their egos are massive, they feel
themselves above the law, and they are forgiven
everything because of their genius. Celebrities
don't get punished very often for their misdeeds,
as O.J. knows. Forget this deep understanding of
Beethoven's inner demons, the man was a piece of
human garbage, simple as that.
But he had a gift
like nobody has ever had. God, fate, or DNA -
whichever you believe in - often chooses to give
great talent to those of unpleasant nature. And
often the very forces which make them great, the
drive to develop their talents to the limit, are
the same foces which make them unpleasant.
Beethoven was Ty Cobb. No difference, really. We
don't have to try to justify them. In their way,
they were as evil as Hitler or Stalin, but didn't
get in the position to exercise that evil for
mass murder. But put Beethoven or Cobb in charge
of a country, and they would also probably have
caused atrocities, because they had the same
contempt for every living being. Did they have
talent? Of course. The kind of talent that
appears once in a milennium. Do we have to like
them or sympathize with them? Hell, no. Let them
all rot in hell together, talent or no talent.
Let Beethoven now write a Symphony for Satan, as
he once wrote one for Napoleon.
Valeria Golino Valeria Golino Johanna ter Steege Johanna ter Steege Geno Lechner
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